Schumann wrote Impromptus on a Theme by Clara Wieck in 1833. The original version of this piece has twelve pieces, but Schumann later edited the piece to have a theme and ten impromptus published in 1850. The theme the work is based on is Clara Wieck’s Romance Varie from 1831.
The theme that Schumann used is tastefully written and has a beautiful flowing melody. Throughout the whole piece, there are movements that could be associated with Schumann’s signature personalities. There are lively and passionate variations from Schumann’s Florestan persona and lovely, tender impromptus from his introverted Eusebius. The different demonstrations of Schumann’s Doppelgtinger that are utilized requires the performer to change moods efficiently.
It is important that the recurring theme of the piece is recognizable, but does not become stagnant. Listen to Rosen’s and Martin’s performances and use them as resources for studying how to manage these changes. When beginning a piece with a recurring theme, it is crucial to learn from the beginning what the areas of importance are and knowing exactly what to listen for in your own performance.
Charles Rosen
Jean Martin
I don't know this piece! I have read some books by Charles Rosen, but haven't listened to many of his recordings. I also like what you said about themes and how they are crucial to learn and understand well - sometimes there is so much going on in later variations that we don't know what to listen for!
ReplyDelete